11/7/2023 0 Comments Drag on a dimeShe told him she was going to kick his face into the gravel. “She got his information, called him, and within 20 minutes all my money was back in my account. But I have a good friend named Kelly Mantle,” Brown says, referencing the season 6 competitor. “I paid for to come out to Los Angeles, and then he wasn’t going to hang out with me - he was just using me for a ride and making excuses. 'Drag Race' Champion Yvie Oddly Talks Future Plans, Fan Art & That Laugh I’m not saying I want people to go out and get high all the time, but I can smoke marijuana and I’m actively creative.” And then, as if to prove her effortless mental gymnastics, Brown adds, “I guess I shouldn’t say stoner – I’m a gemologist,” she slyly puns. I retain lots of information - and I’m a stoner. “My mother hates it,” Brown laughs of her trivia savvy. Much like the lightning-fast mental ping-pong game that seems to be ever-raging in Brown’s head, the diverse influences on Schubert speak to her Wikipedia-esque brain and instant recall. Amanda Lear, of course, and Mexican artists like Lucia Mendez with ‘Corazón De Piedra’ and Dulce with her song ‘Tu Muñeca,’ which has these really pretty melodies and synth ’80s sounds.” “When asked for ideas, I mentioned the album Break Every Rule. “It’s a little more sassy, very tongue-in-cheek - like Amanda Lear, that was the inspiration for Schubert,” Brown says, noting that the French singer/model’s best material is “very absurd and over-the-top, but it’s really good and really gay.”Īpart from Lear, the muses for Schubert are predictably random for Tammie. After exchanging ideas in the ether, Brown is visiting his Brooklyn studio for two weeks to record this “concept album” based around the character Schubert, applying those indelible Tammie Brown vocal inflections to these sleek, sly club tracks. A recent college grad who studied music and business, Pierce linked up with Brown online. While past releases have touched on everything from bluesy guitar to B-52s absurdity to ukulele ditties, Brown’s upcoming release, Schubert (the T, in reference to Brown’s birth name Keith Glen Schubert, is silent and accented), is laser-focused on a pulsating, ’80s synth-indebted sound courtesy new collaborator Pierce Rolli. While Brown’s mind veers from bemoaning the state of women’s rights in the South to the plethora of roadkill in Missouri within the space of a minute, the songs Brown plays for me display an attention to compositional detail and stylistic focus we haven’t seen from her before. Ten years after debuting on Drag Race, it seems that the culture-shifting show is finally catching up to Tammie Brown’s aesthetic - and the boundary-flaunting performer is ready to take her career to the next level now that weirdness in drag is suddenly a greater asset than fishiness or pageantry. Additionally, Brown has continued to make some of the most satisfying, peculiar art of any Drag Race alum, from her eclectic music to her opening spot on Mattel’s recent tour to the “cancer-curing comedy” delivered on her YouTube channel (not to mention her activism, which led to the viral “I don’t see you out there walking children in nature” clapback to Ru). For starters, a heapin’ helping of the show’s most iconic lines (“see you later, in the magazines” “Tootsie Loo!” “Ha! Ha! I’m acting” “Come on, Teletubby! Teleport us to Mars!”) came from Brown in the space of just four episodes (two on Drag Race, two from the ill-fated first season of All Stars). Despite her early exit, Brown’s profile refused to fade into the shadows like many of her first-season compatriots.
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